Through the Eyes of an Iconophile - Part I
Wednesday, October 12, 2026, at 6:30 p.m.
1565 Chaussée de Waterloo, 1180 Brussels
EXHIBITION AND PICKUP OF LOTS
1565 Chaussée de Waterloo, 1180 Brussels
Friday, October 9, from 10:00 a.m. to 6:00 p.m.
Saturday, October 10, from 10:00 a.m. to 6:00 p.m.
Sunday, October 11, from 10 a.m. to 6 p.m.
Monday, October 12, from 10 a.m. to 6 p.m.
FEES
27% in-store
29% for mail-in and telephone bids
29% + 1.8% via Drouot
COLLECTOR'S FOREWORD
"There comes a time—that moment has arrived—when one no longer has a choice.
Time is running out, age is catching up, health is failing, deadlines are looming once again...
And all of this leads you to sell part of your collection at the doorstep of an art gallery,
in northern Burgundy: the LEL’OEIL Gallery.
Inspired from the very beginning by a poem by Blaise Cendrars, it remains the Eye of an Iconophile,
who writes these few lines to you. Through them, I look back on more than 40 years of visits
to studios, auction houses, encounters with artists from every continent, and treasure hunts.
When you come to choose a work that catches your eye in this catalog—or even let a work choose you
by a work—just as a house chooses its owner (I believe this)—you will discover the fruits
of my encounters. May this sale also serve as a passing on (for a fee, I admit)
of works spanning the period from 1945 to the present day. Making no distinction between abstraction and figuration,
I have always regarded Expressionism as my guiding principle in my selections.
Furthermore, I have often been moved by those moments when an artist returns to work after a period of doubt,
exhaustion, or even depression. I have also been drawn to artists with broad artistic ranges: Serge Vandercam, photographer,
sculptor and painter of the Tollund Man (in which I include the woman), once interpreted by my friend, the choreographer Michèle Noiret,
daughter of Joseph Noiret (one of the founders of the CoBrA movement). Or the drawings of the sculptor Eugène Dodeigne and his friendship, which
bound him to René-Edgar Gillet. Raoul Ubac and his shadows, as his name suggested.
What some call a collection is, in my eyes, more of a gathering of friends and supporters who have given me so much
happiness, a breath of fresh air, the slow pace of contemplation, and, ultimately, a shared experience.”